Interview with the Chimurenga Chronic, "A Layered way of Working" / by Helen Teede

September 2017

The history of painting, as I have learned it, has been rooted in the Western tradition of painting, so I feel that my place as a painter in an African country is a tenuous one. Sometimes I feel trapped by the rules of painting that I’ve learned and applied to my practice, so I constantly have to work at breaking them – they are rules that don’t even exist for a lot of the artists here. Talking and engaging with Zimbabwean painters, such as Gresham Tapiwa Nyaude and Wycliffe Mundopa, has helped me to find a place within a discourse of painting that is local to Zimbabwe and of necessary historic import within the context of contemporary African art.



Read the rest of the Interview Here


"Spatial Grammar" (ii)
Rain and Oil on Canvas
170 x 130 cm